民宿酒店案例 | 樸宿“故鄉的云”：保留老院落的原始肌理及空間關系，強化景觀的導入和內院的核心性

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項目背景 | RESIDENTIAL DESIGN

泰山九女峰山脈腳下的東西門村依山間溪流展開，相傳立村于清朝康熙年間。小鄉村在此默默延續了幾百年，直至原住民背井離鄉，留下村落在山中漸漸衰敗，懷著對原始場地的尊重，希望保留百年間人與自然互動的空間記憶，用盡量少的設計手法和材料介入讓場地本身的氣質自然顯露，給逃離喧囂的人們制造質樸而舒適的休憩空間。

山地的西南角錯落地分布著四個由毛石堆砌而成的雜物房。這四個方形體塊之間所形成的空間關系是村民生活和自然山體不斷對話的結果。我們對這幾個早已破敗的雜物房進行了原址修復，在頂面和墻面采用玻璃封閉空間以形成日光中庭，最大程度保留原始的場地肌理的同時強調了建筑的體積感。傳統定義的內立面外立面在此不復存在，中庭空間所擁有的是戶外的場所感。同時，玻璃的工業感則突出了毛石的質樸粗礦和蘊藏其間石匠工人的傳統手藝。

每個體塊在角部打開，通過耐候鋼板和黑色鋼板的組合將開口凸顯。接待、兒童活動室、泡泡池、樓梯等功能由此融入整個中庭。建筑體塊的獨立性和內部空間的完整性這對矛盾在此得到了完美的解決。場地中央原本留存的坑洞被改造成臺階式的下沉庭院，為中庭增添靈動的同時形成向心性。體塊之間自然圍合出穩定的區域，外部景觀則透過玻璃蔓延進來，此間設置沙發，供茶歇休憩。修繕后的石頭盒子將一直默默承載著村落的記憶，與在內嬉戲玩耍的孩子們一起，將時間延續。

The East and west gate village at the foot of Mount Taishan nine female Peak mountain is spread out by the mountain stream, according to legend, the village was established in the Qing Dynasty Kangxi years. The small village continued in silence for hundreds of years, until the indigenous people left their homes, leaving the village to decay in the mountains. In 2019, Lushang Group piloted rural revitalization here and introduced the Park Hotel brand to revitalize the dilapidated village into a high-end hotel. With respect for the original site, we hope to retain the spatial memory of the interaction between man and nature over the past hundred years, and use as few design techniques and materials as possible to expose the temperament of the site itself naturally, so as to create a simple and comfortable rest space for people who escape from the hustle and bustle.

In the southwest corner of the mountain, there are four miscellaneous houses made of rubble. The spatial relationship formed between the four square blocks is the result of the constant dialogue between the villagers' life and the natural mountain. We restored these already dilapidated utility houses in situ, using glass enclosed Spaces on the top and walls to form daylight atriums, maximizing the preservation of the original site texture while emphasizing the volume of the building. The traditional definition of the exterior facade no longer exists here, and the atrium space has an outdoor sense of place. At the same time, the industrial feel of the glass highlights the rustic raw mining of the rubble stone and the traditional craftsmanship of the stonemasons that underlie it.

設計策略 | RESIDENTIAL DESIGN

村落的民居院落多分布在山坡陡地，以L型院與三合院為主。原住民早已搬離而房屋則呈衰敗之勢。但即使殘破，院落和自然山體所呈現的高度融合依舊保存著曾經的生活記憶。我們的客房即從這些原始院落脫胎而來。

保留老院落的原始肌理及空間關系，強化景觀的導入和內院的核心性。以此為基礎進行適當擴建，將客房及公共活動的功能以組團方式置入。那些保留的毛石墻和重建的毛石墻見證了新與舊的傳承。平面組織和功能排布依據每個院子各異的地形高差、方位朝向及最為重要的原始肌理而定制。人們在此不僅體驗高品質的度假感受，更能和傳統相通。

人們逃離出都市的鋼筋水泥，只為在不經修飾的景觀中感受原始的自然。泰山山脈所蘊含的自然之美和村落原生態形成的院落空間是我們要引入整個居住體驗的核心。在保留原有毛石立面的基礎上，我們引入鋼結構體系為大面開窗提供可能，以此打破內外的邊界，最大程度地將自然置入空間，將空間融入自然。

The residential courtyards of the village are mostly distributed on the steep hillside, mainly L-shaped courtyards and three-courtyard courtyards. The natives have long since moved out and the houses are in decay. But even in ruins, the high integration of the courtyard and the natural mountain still preserves the memory of the life once. Our guest rooms are born out of these original courtyards.

Retain the original texture and spatial relationship of the old courtyard, strengthen the introduction of the landscape and the core of the inner courtyard. On this basis, appropriate expansion will be carried out, and the functions of guest rooms and public activities will be placed in a group way. The preserved and reconstructed stone walls bear witness to the heritage of the old and the new. The planar organization and functional arrangement are customized according to the different topographic height difference, orientation and, most importantly, the original texture of each yard. People here not only experience a high-quality holiday feeling, but also connect with tradition.

People escape the concrete of the city in order to feel the raw nature in the unpolished landscape. The natural beauty contained in Taishan Mountain range and the courtyard space formed by the original ecology of the village are the core of the whole living experience we want to introduce. On the basis of retaining the original rubble facade, we introduced the steel structure system to provide the possibility of opening the large window, so as to break the boundary between the inside and the outside, and maximize the nature into the space and the space into the nature.

設計核心 | RESIDENTIAL DESIGN

由原始建筑肌理圍合而成的院落空間經過梳理后成為內向的空間核心。各個房間均部分向院落打開，其中公共客廳的移門扇可完全開啟。此時，內外已沒有邊界，合為整體。我們希望保留院落內原有的老榆樹和建筑的共生關系，因此將客房平面圍繞此樹展開。臥室、起居衛生間形成C型將老樹包裹其間。傍晚在起居室飲茶片刻，看樹影橫斜。

原始的單坡屋頂通過幾何形體的置入形成兩個部分，平頂部分消解局部層高形成富有安全感的穩定區域，消解高差所形成的空腔正好用于隱藏空調等設備，以保證內界面的純凈；對應位于動線上的頂面則保留斜頂的形式。兩者所形成的體塊穿插關系經過材料的強化后，暗示出動靜而保證空間的統一性。

The courtyard space enclosed by the original building texture becomes the inward space core after combing. Each room partially opens to the courtyard, with the sliding door of the common living room fully open. At this time, there is no boundary between the inside and the outside, and it is a whole. We wanted to preserve the symbiotic relationship between the old elm tree in the courtyard and the building, so we centered the guest room plan around this tree. The bedroom and living bathroom form a C-shape to wrap the old tree among them. In the evening, drink tea in the living room for a while and watch the tree shadow slanting.

The original single-slope roof forms two parts through the placement of geometric forms, the flat roof part dispelling the local height to form a stable area with a sense of security, and the cavity formed by dispelling the height difference is just used to hide air conditioning and other equipment to ensure the purity of the inner interface. The top surface corresponding to the moving line retains the form of the inclined top. The volume interpenetration relationship formed by the two is strengthened by the material, which implies the movement and ensures the unity of the space.

客房必備的功能模塊不再常規地分散布置在平面中，而是整合成體塊，成為分隔空間的置入物。迷你吧、衣柜、電視柜、玄關柜被有效組合，分隔出玄關、起居空間、臥室空間。各個區域的領域感得到加強的同時，保證了整體空間的流動性并加強了空間的層次感。功能體塊置入對空間的限定，結合頂面穿插關系及材質的差異，我們在空間內強化出兩條視覺通道，遠山近綠躍入眼簾。

以灰色作為主基調是我們對空間氛圍的堅持。當建筑已經以毛石的厚重作為整體基調，并完美地融入山體時，我們希望室內空間和建筑以及山體都能保持統一，山景、院景、內部空間融為一體。同時，深色調的室內方向也保證了和市場上同類的度假型客房產品的差異化。

The essential functional modules of the guest room are no longer conventionally dispersed in the plane, but integrated into a block that becomes an insertion separating the space. The minibar, wardrobe, TV cabinet and porch cabinet are effectively combined to separate the porch, living space and bedroom space. The sense of domain in each area is strengthened, while ensuring the fluidity of the overall space and strengthening the sense of hierarchy of the space. With the limitation of the space placed in the functional volume, combined with the interpenetration relationship of the top plane and the difference of materials, we strengthen two visual channels in the space, and the distant mountains and near green come into view.

Taking grey as the main tone is our adherence to the space atmosphere. When the building has taken the heavy rubble as the overall tone and perfectly integrated into the mountain, we hope that the interior space and the building and the mountain can remain unified, and the mountain view, the courtyard view and the interior space are integrated. At the same time, the deep color interior direction also ensures the differentiation of similar resort room products on the market.

空間名稱：九女峰 · 魯商樸宿“故鄉的云”

民宿 空間類型：酒店民宿、度假民宿

空間地址：山東省泰安市道朗鎮東西門村

建筑面積：2200平方米

空間主材：毛石、水泥、木材、瓷磚、玻璃、藤編

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