“靈魂擺渡電影全AI生成”上熱搜，網(wǎng)友熱議

4月22日，話題#登上熱搜。

近日，愛(ài)奇藝公布2026-2027片單，官宣愛(ài)奇藝與長(zhǎng)信傳媒攜手打造的首部全AI生成電影《靈魂擺渡·浮生夢(mèng)》已在開(kāi)發(fā)中，將于2026年內(nèi)上映。該片由《唐朝詭事錄》主創(chuàng)郭靖宇監(jiān)制。

A fully AI-generated film adaptation of the hit Chinese series Soul Ferry has ignited widespread debate following its announcement for a release later this year.

Titled Soul Ferry: Dream of Life, the project was unveiled as part of iQIYI's 2026–2027 content slate. It is being developed in collaboration with GHY Culture & Media and produced by Guo Jingyu, known for his work on the iQIYI fantasy drama Horror Stories of Tang Dynasty.

據(jù)了解，《靈魂擺渡》系列自2014年上線以來(lái)創(chuàng)造了多項(xiàng)行業(yè)紀(jì)錄。該系列三季總播放量近45億。在口碑方面，該系列豆瓣平均分保持在8.0以上，第一季豆瓣評(píng)分高達(dá)8.7分，愛(ài)奇藝評(píng)分8.8分，被觀眾譽(yù)為“國(guó)產(chǎn)良心劇”。

Since 2014, the Soul Ferry franchise has drawn nearly 4.5 billion views across three seasons and maintained an average rating above 8.0 on Douban, earning a reputation as a high-quality domestic production.

圖源：豆瓣

該電影因采用全AI生成技術(shù)引發(fā)網(wǎng)友熱議。

這部原本口碑較好的網(wǎng)劇被“AI化”，不少網(wǎng)友直言難以接受。

但也有網(wǎng)友認(rèn)為，這類題材本身就很適合AI創(chuàng)作。

The decision to rely entirely on AI-driven production has triggered divided reactions online. Some viewers fear it may erode the emotional depth and authenticity that defined the original, while others argue the series' supernatural themes could lend themselves naturally to AI-led storytelling, potentially opening new creative ground.

還有網(wǎng)友調(diào)侃：AI拍的電影，就該讓AI自己去看。

據(jù)媒體此前報(bào)道， 《唐朝詭事錄》監(jiān)制、長(zhǎng)信傳媒創(chuàng)始人 郭靖宇在愛(ài)奇藝世界大會(huì)相關(guān)論壇發(fā)言稱，現(xiàn)階段人們夸AI做得好，最重要的標(biāo)準(zhǔn)是“做得像”和“顏值高”，但這并非評(píng)價(jià)一部影視作品優(yōu)劣的標(biāo)準(zhǔn)。

以《哪吒》為例，主角形象第一眼比例未必準(zhǔn)確，甚至不好看，但看完全片會(huì)覺(jué)得形象越看越生動(dòng)，是因?yàn)樾蜗笈c人物特有的靈魂、故事打動(dòng)了觀眾。

Speaking at an industry forum, Guo said that current praise for AI often centers on visual realism and aesthetic appeal, standards he believes fall short of measuring true artistic merit. He emphasized that compelling characters are not shaped by flawless proportions, but by how deeply they embody a story's emotional core and connect with audiences over time.

郭靖宇認(rèn)為，煙火氣足、個(gè)性鮮明、大量真實(shí)細(xì)節(jié)的戲目前AI難以勝任，從業(yè)者無(wú)需過(guò)度焦慮。未來(lái)優(yōu)秀的美術(shù)師、造型師、剪輯師將愈發(fā)稀缺，而能打造原創(chuàng)IP的編劇將成為行業(yè)第一生產(chǎn)力。

He added that works rich in everyday realism, distinctive personalities and subtle detail remain difficult for AI to replicate. Rather than viewing technological advances as a threat, he suggested they will elevate the value of creative professionals — particularly those in visual design, editing and original storytelling — while screenwriters capable of developing strong intellectual property are likely to play an increasingly central role in the industry's future.

對(duì)此，你怎么看？

來(lái)源：中國(guó)青年報(bào) 紅星新聞 愛(ài)奇藝 都市現(xiàn)場(chǎng)

跟著China Daily

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