14幅莫奈筆下的倫敦幻境

Claude Monet painted a series of oil paintings of the Palace of Westminster, home of the British Parliament, in the fall of 1899 and the early months of 1900 and 1901 during stays in London.

克洛德·莫奈于1899年秋季及1900年和1901年初在倫敦逗留期間，繪制了一系列關(guān)于英國議會所在地威斯敏斯特宮的油畫。

All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm x 92 cm.

該系列的所有畫作均從莫奈的窗戶或圣托馬斯醫(yī)院俯瞰泰晤士河的露臺視角，畫布尺寸約為 81 厘米 x 92 厘米。

They are however painted during different times of the day and weather circumstances.

不過，它們是在一天中不同的時間和天氣條件下繪制的。

y the time of the Houses of Parliament series, Monet had abandoned his earlier practice of completing a painting on the spot in front of the motif.

到了 《議會大廈 》系列時， 莫奈已放棄早期在主題前現(xiàn)場完成畫作的做法。

He carried on refining the images back in France, and sent to London for photographs to help in this.

他繼續(xù)在法國完善這些圖像，并派往倫敦拍攝照片以協(xié)助完成。

This caused some adverse reaction, but Monet's reply was that his means of creating a work was his own business, and it was up to the viewer to judge the final result.

這引發(fā)了一些反響，但莫奈的回應(yīng)是，創(chuàng)作作品的方式是他自己的事，最終成品由觀眾自行判斷。

來源：油畫世界 (ID：ArtYouhua)，轉(zhuǎn)載請注明。

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